达利戏剧博物馆
达利戏剧博物馆是一座纪念西班牙画家萨尔瓦多·达利的博物馆，位于达利的家乡西班牙加泰罗尼亚的菲格雷斯的加拉-萨尔瓦多达利广场5号。博物馆为达利个人专馆。它由加拉-萨尔瓦多达利基金会掌管。该艺术家在遗嘱中将他的大量作品赠与西班牙政府，分布在这个展馆和马德里的索菲亚王后博物馆。
建筑缘由
艺术家个人负责了博物馆项目，内部还有他最后的房间和墓室。正如其名，这座建筑与剧院有关。它曾是一个剧院，建于1849年。1939年，内战期间，被火烧毁，仅保留一个美轮美奂的新古典主义建筑的基底。改建由Ramón Guardiola Rovina完成，他是一位律师，钟爱1960年来到当地的达利艺术。时任市长认为，菲盖拉斯没有为它最伟大的孩子做些什么纪念物是在难以令人接受。于是邀请达利为当地博物馆捐赠一幅画。达利回复说自己已准备好为家乡捐赠一整座博物馆，并提出就在剧院废墟原址上动工核心建筑。这个博物馆对达利有着特殊意义，因为他亲手为博物馆挂上了最早的两幅画，时值1918年的一场绘画作品展示。 工程因持反对意见的周遭市民和官僚财政问题耗费了大量时间。最终在1970年6月26日剪彩，当时还未完工。
历史
该博物馆于1974年9月28日开始对外开放，并在20世纪80年代持续扩建。 博物馆主要收藏了达利的作品，除了他几十年职业生涯中的绘画，还有雕塑、三维珂拉琪、机械工具等作品和一个客厅，该客厅摆放着特定家具，从一定角度看整体像梅·蕙丝的脸。
达利被葬在该博物馆地下室。
评价
从建成那天起它就是受人爱戴的博物馆，从访问量上看是西班牙第二大博物馆仅次于纳德利普拉多艺术馆。每个气氛，每个空间都是一件艺术，画作、雕刻、家具、装饰和所有其他艺术品精心被组合起来参展。很多厅的墙壁和天花板都被巨大的壁画覆盖，一些是原版，另一些则是原版的放大版。达利参与了建筑项目以及所有细节工作，并成为了建筑大师Emilio Pérez Piñero的挚友。他指导建筑了华丽的乳胶穹顶（该建筑师1972年车祸逝世并未见到完工的博物馆）。馆的外部保留了新古典主义外观，但是由大胆的雕塑装点。 在建筑物地下一层，有一个地穴，是一个小房间，墓室就在这里。与他的意愿相悖（他想葬在布波尔城堡），他被安葬在戏剧博物馆里。1989年1月25日，伟大的艺术家死后两天，他被安葬在这里。
Dalí Theatre and Museum
The Dalí Theatre and Museum is a museum of the artist Salvador Dalí in his home town of Figueres, in Catalonia, Spain. Dalí is buried there in a crypt below the stage. The museum received 1,368,755 visitors in 2016.
Museum
"I want my museum to be a single block, a labyrinth, a great surrealist object. It will be totally theatrical museum. The people who come to see it will leave with the sensation of having had a theatrical dream."— Salvador Dalí
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| Car Naval. Rainy taxi, 1974-1985 |
The heart of the museum is the town's theatre that Dalí knew as a child. It was where one of the first public exhibitions of young Dalí's art was shown. The old theatre was burned during the Spanish Civil War and remained in a state of ruin. In 1960, Dalí and the mayor of Figueres decided to rebuild it as a museum dedicated to the town's most famous son. In 1968, the city council approved the plan, and construction began the following year. The architects were Joaquim de Ros i Ramis and Alexandre Bonaterra. The museum opened on September 28, 1974, and it expanded through the mid-1980s. The museum now includes buildings and courtyards adjacent to the old theatre.
The museum displays the single largest and most diverse collection of works by Salvador Dalí, the core of which was from the artist's personal collection. In addition to Dalí paintings from all decades of his career, there are Dalí sculptures, three-dimensional collages, mechanical devices, and other curiosities from Dalí's imagination. A highlight is a three-dimensional anamorphic living-room installation with custom furniture that looks like the face of Mae West when viewed from a certain spot.
The museum also houses a small selection of works by other artists collected by Dalí, ranging from El Greco and Bougereau to Marcel Duchamp and John de Andrea, In accordance with Dalí's specific request, a second-floor gallery is devoted to the work of his friend and fellow Catalan artist Antoni Pitxot, who also became director of the museum after Dalí's death.
A glass geodesic dome cupola crowns the stage of the old theatre, and Dalí is buried in a crypt below the stage floor. The space formerly occupied by the audience has been transformed into a courtyard open to the sky, with Dionysian nude figurines standing in the old balcony windows. A Dalí installation inside a full-sized automobile, inspired by Rainy Taxi (1938), is parked near the centre of the space.
Art collection
The Dalí Theatre and Museum holds the largest collection of major works by Dalí in a single location. Some of the most important exhibited works are Port Alguer (1924), The Spectre of Sex-appeal (1932), Soft self-portrait with grilled bacon (1941), Poetry of America—the Cosmic Athletes (1943), Galarina (1944–45), Basket of Bread (1945), Leda Atomica (1949), Galatea of the Spheres (1952) and Crist de la Tramuntana (1968).
There is also a set of works created by the artist expressly for the Museum, including the Mae West room, the Palace of the Wind room, the Monument to Francesc Pujols, and the Cadillac plujós.
A collection of holographic art by Dalí, and a collection of jewellery he designed are on display. Another room contains a bathtub and a side table with an open drawer and a lamp, all of which Dalí had installed upside-down on the ceiling.
An extension to the museum building contains a room dedicated to optical illusions, stereographs, and anamorphic art created by Dalí. The artist's final works, including his last oil painting, The Swallow's Tail (1983), are on display here.
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| Gala Nude Looking at the Sea Which at 18 Metres Appears the President Lincoln |
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| 向马克˙罗兹哥致敬，裸体的卡拉背向我们，面向地中海， 18 公尺之后变成林肯头 |
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| 菲格拉斯达利博物馆“风馆”的中央天花板 |
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| Central Panel of the Wind Palace Ceiling |
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| Face of Mae West Which Can Be Used as an Apartment |
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| Venus de Milo aux tiroirs, 1964 |
Apotheosis of the Dollar, 1965
Dalí·Jewels 达利珠宝博物馆
